David Finckel, cello & Wu Han, piano
The talent, energy, imagination, and dedication they bring to their multifaceted endeavors as concert performers, recording artists, educators, artistic administrators, and cultural entrepreneurs has garnered superlatives from the press, public, and presenters alike. In high demand year after year among chamber music audiences worldwide, the duo has appeared at the most prestigious venues and concert series to unanimous critical acclaim. The artists’ wide-ranging musical activities also include the launch of ArtistLed, classical music’s first musician-directed and Internet-based recording company. David Finckel and Wu Han have also overseen the establishment and design of The Chamber Music Society of Lincoln Center’s acclaimed CMS Studio and CMS Live labels, as well as the Society’s recording partnership with Deutsche Grammophon, and the much lauded Music@Menlo LIVE label.
Now in their third term as Artistic Directors of The Chamber Music Society of Lincoln Center (CMS), David Finckel and Wu Han hold the longest tenure as directors since Charles Wadsworth, the founding Artistic Director. They are also the founding Artistic Directors of Music@Menlo, a chamber music festival and institute in Silicon Valley. In 2011, David Finckel and Wu Han were named Artistic Directors of Chamber Music Today, an annual festival held in Korea. Under the auspices of CMS, they also lead the LG Chamber Music School, which serves dozens of young musicians in Korea annually. In these capacities, as well as through a multitude of other education initiatives, including their chamber music studio at the Aspen Music Festival and School, they have achieved universal renown for their passionate commitment to nurturing the careers of countless young artists. David Finckel serves as Professor of Cello at The Juilliard School, as well as Artist-in-Residence at Stony Brook University.
“Inspired….Finckel makes his instrument sing with a natural eloquence, at once muscular and supple. Han, for her part, dispatches musical material without flinching and without losing emotional mooring.” –-Los Angeles Times